Stills and compositions shot so far.

 Below are a selection of just some of my favourite shots that we have taken so far.

These two specific shots were captured in our first location, alongside the canal.

The bench is framed in the centre of this shot making it the focal point. However this changes when
Janadhi enters the composition as she is then placed where the vertical line indicating
where the rule of thirds compostion of '9v9' would be, drawing attention
from the bench onto her.

This shot is my favourite from this location. It was one of the many Kelly captured 
whilst she climbed and walked along the bridge. Not only does it establish our setting with its wide angle composition, but it also emphasises the vastness of our location by the prominent diagonal line that runs through the shot. 

The next three were filmed in our school gym.

To comply with the 'rule of thirds' Jan was positioned in a way which seems 'natural' and 'comfortable' to the audience, this is due to the symmetry framed by the positioning of the rowing machine bike against where Janadhi's body is. 

By leaving the rowing machine in the foreground out of focus and placing it entirely on Janadhi's face, it enhances her facial expression and draws attention directly onto her. 

By directing Janadhi to act out this particular body language, it paints to our audience how exhausted the protagonist is, and emphasises and in a way foreshadows the struggles she is currently suffering and what she is to expect.

These last few shots were taken at our last filming location.(The agility park in Primrose Hill)

This high angle close up shot has her hands gripping the bar, in focus. Whereas her face, which is distant is left out of focus, this is one of many shots where we chose to include a varied number of different and 'unique' angles in which we can capture her exhaustion yet determination to succeed.

In order to capture her empowering facial expression in this specific shot, Janadhi was framed in the middle of the shot, her arms acting as the two vertical lines to comply with the 'rule of thirds,' this allows no distractions to occur leaving her face as the dominant feature. 

Similar to the previous still shot, Janadhi's arms during this close up of her 'attempting' a push up follow the two vertical lines of the '9v9' grid, leaving her in direct view for the audiences attention.